
Much of human communication is nonverbal. Plants obviously cannot
speak, yet they can be as emotive as a silent figure. Emphasizing
the expressiveness of botanical and human structure rather than conventional
beauty is what drives my work.
I attend numerous
drawing sessions with live models. Working with a living breathing
human being rather than a photograph is essential to capturing pure
emotion. As well, my botanical pieces are taken from real still-life
arrangements. I often record the life cycle of a bundle of flowers
from vibrant life, through to the delicateness of the dry final state.
I use wet and
dry mediums both additively and subtractively in order to create weathered
atmosphere. Once I have captured the essence of the subject I continue
working the piece independently of the model using a variety of unconventional
techniques. Layers of ink followed by layers of gouache are often
rubbed away using a scrubber brush to generate texture. In other cases
I will spray my drawings with a vigorous jet of water from the garden
hose to create liquid effects.